As these character descriptions show, not everyone is always what they seem to be. Romeo Montague — Foolish modern day girls clamor for a modern day Romeo. She is abandoned by her family, beaten by her father III, v,betrayed by the Nurse III, v,led into folly by a fool Friar IV, i,and married to a sissy see above. She forged ahead, faced fears, defied social customs, and went against the words of her parents.
Shakespeare presents many attempts in the play to bridge the hatred between the families, but only the deaths of the lovers has the potential to make a lasting difference. Romeo expresses his rapture: During the balcony scene Romeo and Juliet express their deep love and devotion to for each other.
Juliet refers to the ambiguity of love and the fact that love and hate are intertwined: She is deeply saddened by the fact that Romeo is a Montague. Shakespeare suggests that the love has the potential to bridge the feelings of animosity and hatred that swirl between the two families and for this reason Friar Lawrence agrees to wed Romeo and Juliet.
He believes that it is unreasonable for the two lovers to be separated by their feuding families. He also believes that the marriage between the two families potentially could solve the aimless fighting that haunts the streets of Verona. The Prince castigates both families: Likewise, the oxymoronic contrasts relating to the death-love nature of their relationship also injects a sense of poignancy.
Despite the hatred, Romeo and Juliet are intuitively and romantically drawn to each other and harbour a desire to rise above petty grievances. Shakespeare suggests that love is far superior to hatred and does not respect borders and barriers.
Shakespeare compares their love with other versions of love in the play to show their superiority and maturity: The contrasting darker forces of hatred inject a sense of urgency into the relationship and lead to risk-taking sacrifices as an expression of their love.
Tybalt and Mercutio represent the dark forces of each family that threaten the peace and undermine the profound love of Romeo and Juliet. Shakespeare suggests that these malign forces are disruptive and divisive and only lead to death.
As a fiery Capulet, Tybalt plays a prominent role in perpetuating the feud through his provocative and misguided attempts to protect their family pride. This is particularly evident during his fatal encounter with his mirror image, Mercutio. Both lovers are expected to conform to the sexual conventions of their society which forbids them the liberty of speaking their own lines.
Juliet meets the masked Romeo at the Capulet ball and both are unaware of their group identities before they fall in love. Nameless, they are not hemmed in by social convention. Although forbidden, their love is also inspirational and exalted, particularly because of the maturity of both the young stars as evident in their deft language choices and sensible tone.
In her turn, Juliet seeks to resist the male desire inherent in the patriarchal power-structure to turn her into a compliant female without choice or desire. That Shakespeare gives Juliet equal right of reply in their first sonnets sets the scene for a relationship forged on mutual attraction and a love that is reciprocal and equal.
Shakespeare challenges the subordinate role of the female in conventional sonnets of the time to depict Juliet as an equal partner who is not typically silent.
Their equality is evident during their first romantic first encounter, where the young lovers speak, touch, then kiss in the course of sharing a sonnet. In this case the lovers each speak in quatrains; the passionate pilgrim, Romeo, speaks first, and unlike other 16th century traditional sonnets wherein the female voice is silent, Shakespeare gives Juliet the right of reply, showing a greater sense of power of the feminine.
Juliet is distrustful of fancy phrases and implores Romeo to speak as plainly as possible. She suggests that no matter what one calls a rose, its quality would be the same.
He struggles to assert a self that is not confined to the boundaries of the feud and indeed to the language of that feud. Like Romeo, Juliet struggles to avoid the language that seeks to confine them both to an established sexual order.
Rather, Juliet asks Romeo to avoid slipping into the role of devoted worshipper at her shrine. Capulet and Montague agree to bury their feud in light of the tragedy that has befallen their families and the incredible sacrifice of the lovers. Who is to blame? The continual feud between the Montague and the Capulet families results in ongoing conflict.
There are many factors that are responsible for the deaths of Romeo and Juliet. Friar Lawrence, fate and their parents can be held responsible for their tragic demise. But the lovers and Friar Lawrence, unwittingly, make decisions that undermine their best intentions.
They seem to choose against themselves. The feuding families To a large extent, the feud is responsible for the tragic deaths. Juliet and Romeo are both determined to find a way to be together and get married despite their enemy status.
Lord and Lady Capulet force Juliet to marry Paris without asking her opinion because they assume that she will obey them. Reflecting the patriarchal views about women, Capulet implies that Juliet is his property:Apr 10, · The topic is is Deception and Concealment play and important role in Romeo and Juliet.
Discuss this theme and determine if Shakespeare approves of concealment and deception. I'm really stuck on the second part Status: Resolved. Romeo and Juliet is Shakespeare's most popular play. It is the most retold and reiterated since it deals with everyday aspects of life such as love, tragedy, and in particular, family.
The roles of parents and "substitute" parents are important in this play. The biological parents of Romeo and. Tybalt killed Mercutio so Romeo wanted revenge on Tyblat, so he killed Tybalt.
Tybalt killed Mercutio, so Romeo wanted revenge against Tybalt so he killed him. Tybalt killed Mercutio and so Romeo wanted revenge on Tybalt so he killed him. Lady Capulet wanted revenge on Romeo for killing Tybalt, so she convinced the Prince to exile him to Mantua.
Apr 10, · Discuss this theme and determine if Shakespeare approves of concealment and deception. I'm really stuck on the second part does Shakespeare approve of show more I'm having writers block on this essay thats due tomorrow.
The topic is is Deception and Concealment play and important role in Romeo and initiativeblog.com: Resolved.
Romeo and Juliet and Much Ado About Nothing, two very different plays; however, they both contain love, intrigue and identity. Even with forces working against them, Romeo and Juliet and Claudio and Hero fell in love and were married.
Oct 18, · Deception and its Consequences Deception and trickery play integral roles in Romeo and Juliet. Not only do our protagonists deceive others, but Romeo and Juliet themselves are deceived as .