Without losing sight of the possibilities it may offer, let us extend it and consider Faulkner's spirit-chilling little classic along the additional lines proposed more recently by Professor Randall Stewart—those of Faulkner's relationship to earlier characteristically Southern writers. In comparing them, along with Poe's, accordingly, we can arrive at some conclusion about the direction that Gothic fiction has taken during the past century in its concept of the human personality.
She is a grotesque, southern gothic character whose neurotic or psychotic behavior in her relationships with her father, her lover, and her black servant may elicit many Freudian interpretations.
That William Faulkner intended her story to have a much larger dimension is suggested by his choice of an unnamed citizen of Jefferson to tell it. Black voices are excluded from this collective voice as it speaks out of old and new generations.
She is a visible holdover into the modern South of a bygone era of romance, chivalry, and the Lost Cause. Even this new South, striving for a prosperity based on Northern technology, cannot fully accept the decay of antebellum culture and ideals.
Early, the narrator invokes such concepts as tradition, duty, hereditary obligation, and custom, suggesting a perpetuation in the community consciousness of those old values. Like many women of the defeated upper class in the Deep South, Miss Emily withdraws from the chronological time of reality into the timelessness of illusion.
Miss Emily is then symbolic of the religion of southernness that survived military defeat and material destruction.
Miss Emily preserves all the dead, in memory if not literally.
The rose is a symbol of the age of romance in which the aristocracy were obsessed with delusions of grandeur, pure women being a symbol of the ideal in every phase of life. As a lady might press a rose between the pages of a history of the South, she keeps her own personal rose, her lover, preserved in the bridal chamber where a rose color pervades everything.In William Faulkner's "A Rose for Emily," Miss Emily Grierson is a lonely old woman, living a life void of all love and affection; although the rose only directly appears in the title, the rose surfaces throughout the story as a symbol.
Faulkner's most famous, most popular, and most anthologized short story, "A Rose for Emily" evokes the terms Southern gothic and grotesque, two types of literature in which the general tone is one of gloom, terror, and understated violence.
The story is Faulkner's best example of these forms because.
A Rose for Emily by William Faulkner. Home / Literature / A Rose for Emily / This was about two years after her father died, and a short time after her lover disappeared from her life.
The stench was overpowering, but the authorities didn't want to confront Emily about the problem. The story doubles back and tells us that, not too long. "A Rose for Emily" is a short story by American author William Faulkner, first published in the April 30, , issue of The Forum.
The story takes place in Faulkner's fictional city, Jefferson, Mississippi, in the fictional southern county of Yoknapatawpha. unit 5: the harlem renaissance and modernism Rose William Faulkner background “A Rose for Emily,” like the majority of Faulkner’s stories, takes place in the fictional Yoknapatawpha County, Mississippi.
Published in , the story portrays social customs of the small-town South at the turn of the 20th century. Be warned that. In the story William Faulkner “A Rose for Emily” Faulkner portrays the townspeople and Emily in the southern town of Jefferson during the late 's to early 's.
The town is more than just the setting in the story; it takes on its own characterization alongside Emily the main character.